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Cannes Croisette and port, wealth and status

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How Cannes was
founded

 

 

 

Cannes reflections

 

 

 

Croisette and port

 

Not to forget anyway, most important, if it is possible, avoid July-August!! What can be more pleasant than lunching on the beach in January, when the sun is not very hot and the Esterel is clearly visible with a blue sky as decor? The Croisette is empty, the air is sharp and life is beautiful. Sigh.......
I left you at the top of the Suquet in my last article, remembering the history of Cannes and Lord Brougham, its founder and inspirer.
Brougham’s example will be followed by a large part of the British aristocracy. Other rich and influential British soon followed, encouraged to find some alternative winter retreat to “Nice” where an ”inferior” class was established itself, and a highly cultivated society took root. Royalty was not far behind. Though queen Victoria didn’t disdain Nice, it was where, 18 miles down the coast that her sons Leopold, duke of Albany and Edward, Prince of Wales, discovered the more entertaining aspects of the French Riviera. The modern Cannes was born.
A few dates: 1853, the railway comes to Cannes and an outline of the Croisette is build. Twenty years later, already 35 hotels and 200 villas....

Rose tinted night from Suquet

Winter becomes a favourite rendez vous place for all kind of  foreigners and artists like the vice-king of India, members of the Russian aristocracy, the Rothshilds. Never building and architecture has been more delirious. You see al styles and follies. Luxurious, from the pseudo-gothic manor to the pagoda style villa or even with a minaret, grottos, marble columns, etc....
Today, Cannes has changed a lot since the last century. Real estate promoters took over, the heirs of the magnificent manors and domains not having the money to maintain such a splendour. Luckily, some old glories remain under the pines of the Californie area where Picasso lived for a while.  Croix-des-Gardes... or stroll in the streets of Super-Cannes, modern villas with all the sophisticated and necessary gadgets, surrealistic towered castles, crazy constructions....
What of Cannes today? Its conventions and congresses, its beaches, its shopping, its “Season”? Everyone knows the “festival”. Two star-spangled weeks in May when the movie world turns this dowager resort into a painted lady, starlets cavort topless on the sands and big deals are clinched by moguls clenching big cigars in their even bigger teeth.
Casual it may seem, but behind the scenes a huge effort goes to ensure that the 50,000 people visiting this affair, with all its hype and hoopla, are not disappointed. For instance, the golden sands are raked and disinfected fastidiously every day, and the private beaches are groomed to perfection before le “beau monde” gathers for cocktails, beneath pastel-coloured parasols.
Like wise the floral arrangements. 40,000 bedding-out plants are planted on the Croisette and every season others are replanted. Cleaning crews on motorbikes with high-pressure vacuum pipes are meanwhile supposed to eliminate that other pavement peril left behind by dogs, not always successfully.
Nature also deserves an Oscar in the Cannes story. In February and early March mimosa spreads yellow fire across its hills. Boughs of mauve wisteria snake around its old ochre facades in April. Gardens burst with oleander pinks in summer and for much of the year splashes of purple and red bougainvillea everywhere are taken almost for granted.
But enough of all this enchantment. Let’s start the visit of Cannes….in next article.

Bibliography:

Tobias Smollet, "Travels through France and Italy", (Oxford University Press, Oxford, New-York in the series World Classics), John Pemble, "the Mediterranean Passion, Victorians and Edwardians in the South", (Oxford University Press 1988), Mary Blume, "Cote d'Azur. Inventing the French Riviera" (Thames and Hudson, London 1982), The Twenties, From Notebooks and Diaries of the Period, by Edmund Wilson (Cannes 1921)-“ Cannes”, by R. Bailey (Pinguin pocket)  

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Some black
ideas and

the lively rue Meynadier

 

 

 

Film Festival

 

 

 

Cannes today

 

Cote d'Azur-Cannes-

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The most famous avenue of the Cote d'Azur is undoubtedly the Croisette, with its haughty palms, its stylish palaces, shops reserved for the billionaires, flower-beds manicured 12 months of the year by 130 full gardeners and a unique view on the Esterel. The Croisette is also an agreeable promenade. Most internationally recognised of all seafront promenades, yet not one advert for fast food or tanning cream has been allowed to sully its Edwardian elegance. In the summertime the average age of he tourists is rather young, invading the few, rare public beaches. A lot, lot of foreigners of all nationalities. Imagine !  96 daily papers in 30 different languages are sold in Cannes. It’s true, a new Hilton stands in place of the old Palais des Festivals, where Vadim launched Bardot. But the wedding cake façade of the Carlton Hotel only a few yards away has barely changed over the last 80 years, complete with its twin pepper-pot cupolas modelled on the breasts of “La Belle Otero” a famous courtesan of that period. It symbolises Cannes as much as Big Ben does London, its name for comfort and grace. In the wintertime, Cannes is rather frequented by wealthy representatives of the third age, walking distinguished dogs and wearing heavy pearl necklaces, seeking for sweet living in a mild climate.
Strolling up the Croisette towards the Palm Beach casino, you will pass the hotel Carlton, continue until the end of the walk you arrive at the casino Palm Beach, quite famous for some French movies shot there. Today, it makes sometimes the sulphurous political financial news.
Return to the old harbour to have an idea of the centre of Cannes and old town. It guards some delightfully down-to-earth secrets. Take for instance the old harbour, just in front of the Allees which houses a fishers flotilla with its fishing boats nets piled up and numerous pleasure-boats bearing evocative names: Princess Audrey, Love-Love, Sea wind. The colline du Suquet and the charming quai St.Pierre with his pastel houses seen from here, form a real provencal backcloth.  Just stroll along the moored boats and yachts, if you're a sailor fan you will be fascinated by superb sailors (brass and varnished mahogany). It's fun to observe the life of people in their big boats. You want to see the most luxurious ones? Go on the jetee Albert-Edouard, behind the Palais, an enchanting spectacle in the evening, when the boats are illuminated, and you can observe scarcely the TV-parlours, master paintings, leather couches, immense flower bouquets, bar, etc.... The dazzling white hulls, shining brass and polished teak of greater vessels sharing this little basin dwarf them, and the fishermen becoming fewer and fewer each year like an endangered species. These status symbols belong to some of the world’s richest individuals or corporations. If we only had all that in our own homes !!....Yet the “manja pei’” (literally “fish eaters”) still chug past them to bring in their catch in the early dawn. Strange Mediterranean fish with names like “rascasse, rouquier or blavier”, some of which have poisonous, spiny fins and are best enjoyed in a bouillabaisse on the quay, flip and flop as they have always done. 
On the esplanade Pompidou, nearby, more than 120 foot and handprints of stars, French and foreign, mostly American.
Just in front of the boats departure pier a big square opens his arms to the overheated tourist: called les Allees de la Liberte, shaded by old plane-trees, it is a joy to walk there in the morning during the daily flower market. But that’s for next article.

Bibliography

Mary Blume, "Cote d'Azur. Inventing the French Riviera" (Thames and Hudson, London 1982), The Twenties, From Notebooks and Diaries of the Period, by Edmund Wilson (Cannes 1921)-“ Cannes”, by R. Bailey (Pinguin pocket)-Cannes in moderne tijden”, by Jan van Vlaardingen (Dominicus 1997, Guides du Routard, (ed.Hachette)