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Arles-Museums -Les Alyscamps |
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The French writer Frederic Mistral used
the money he earned by winning the Literature Nobel Prize (1904) to realize a
dream he had since a long time. The creation in Arles of a Provencal
ethnographic museum. The MUSEE ARLATEN was founded in the
early 16th century Hotel de Laval-Castellane, with a baroque facade middle 17th
century on the place de la Republique. It is an amusing museum. We can be
stunned, bored, interested or find it funny. The first floor is still exactly as
Mistral had arranged it, with the small explaining notes describing pants and
shirts, furniture and table utensils, and all the folkloric objects he had
collected. The halls are guarded by young girls in traditional costumes. Second
floor was arranged in 1940 by the archeologue Fernand Benoit and we can find
some more useful info on Arles.
MUSEE
REATTU, named after a painter,
Jacques Reattu (1760-1833). His numerous works are displayed in three rooms
which is much! ;-) Luckily the present director transformed the rest of the
museum into a museum of contemporary art. Great names as Dufy, Leger, Vlaminck,
Marquet and sculptors like Cesar and Ossip Zadkine are on display. The highlight
of the museum is the series of 57 drawings, Picasso realized in January 1971 and who gave it, in a very seldom
open-handed mood, as a present to the city. Other works of Picasso include a
portrait of his mother that was offered in 1971 to the museum by Picasso's
daughter, Jacqueline.
The name of "Les
Alyscamps" so well painted by Van Gogh, comes from "Elysii Campi"
(Champs Elysees). The alley is lined with tombs along cypresses, leading to the
Saint-Honorat church. The once so famous Alyscamps turned today into a sad
alley, which was was an immense graveyard where everybody wanted to be
buried. Zillions of graves lined the main alley. Most of the sarcophagus were used
later as building material in churches and musea. Today, after a railway was
build through a part of the Alyscamps, the immediate surroundings
are tarnished by ugly buildings and factories. Along the only remaining lane,
lined with high poplars, there are
some uninteresting, empty graves. So the "poesie" that this place is
supposed to give us, has to come from ourselves. Vincent Van Gogh visited the Alyscamps
at the right moment, fall of 1888 when the surrounding ugliness was tempered by
fog. But the atmosphere was still there and he painted the famous "Allee de
peupliers aux Alyscamps", of which four versions are known. One of them is
in the Kroller-Muller museum in Otterloo. It's a poetic one, because Van Gogh
didn't paint the ugly factory with its high chimneys. On other versions he
painted them (private collection, Lausanne) |
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